Depression in Women - Free Essay Example

Sample details Pages: 5 Words: 1553 Downloads: 3 Date added: 2018/12/19 Category Health Essay Type Research paper Level High school Tags: Depression Essay Risk Essay Women Essay Did you like this example? Introduction on the article synthesis paper: An article synthesis paper is meant to put across an understanding on the topic of question. This is intended to provide a general understanding on the selected topics as well as review papers which will as result provide the researcher with a solid background of how the review should be done in a normal way. In this synthesis paper I have selected four articles to write a synthesis based on the reviewed articles The first article I chose was on Earlier stress exposure and subsequent major depression in aging women and it is an international journal reviewed by Sabrina L. Jenkins. The objective of this paper to finds out three major aspects of stressors in young women.The journal speaks about how the middle-aged women suffer from major depression disorders or what is considered to be a clinical depression. It states that women who do not have these symptoms at an early stage can experienced the syndrome at an age of menopause. Alternatively, it can also relate to Normanton stressors. The research was conducted to find out an estimation of the effects of stressors longitudinally on the subsequent women average of 60. The research also exposes an attempt to explore as well as find a determination of if there is any problem on exposure to stressors in a woman early life and distance major disorder. Don’t waste time! Our writers will create an original "Depression in Women" essay for you Create order To be more specific, the paper finds out three major aspects of stressors in young women. The first aspect is whether stressors in early life evocate women risks for attainingmajor depression at an old age. Secondly: what early life stressors if there exist any would distance MDD on aging female gender? Finally, what is the importance of strategies that are implied for identification, prevention and treatment of those risks for MDD. The focus of the journal is on the implication and how the management of the stress throughout life would lead to improvement for aging women. After carrying out an experiment, the researcher realizes that there are several indicators of depression. The study presents these indicators based on the clinical perspectives or clinical major depression disorders. The procedure used is set on the depression, mood, or even loss of interest in or enjoyment in vital things. After meeting certain criteria which was provided by the researcher, the paper presents a finding of 565 women with a mean age of 60 that early life stressor such as increase in marital problems. The issue may increase the risk of future diagnosis of MDD AS AGING occurs. It was noted that an increase in NLE will automatically double the increases in trajectory in stressors and to lesser extend an early high significant odds for the late life MDD. In conclusion, the article presents the negative effect of high stressors in which youths may elevate chance of getting MDD as women age implies that stress is accumulation of land without, prevention and treatment of aging women. The second article reviewed is by Kase, chen and cohen reviewed in 2010. The article objective is: to expose stressor and subsequent depression in aging women. The article gives a confirmation that most women at earlystage experience abuse in one way or another. The researcher collected data through the Unitedstates department of health and tried to find out how this type of stress acquired at an early marriage stage can affect women. The paper showed that 13% of the women were verbally abused and 9.6% were physically abused and the rest were sexually abused. It clearly shows that the abuse are experience while at early stage of life and this caused a very different and negative results when an individual grows old. There is a considerable association between the anxiety and depression and this was severally examined and similar results produced which looked at the sample of considered results to be the same. According to the paper, one should come to a realization that early child a buse makes one more vulnerable to depression at any particular time when the individual is confronted with the stressors in life. For this reason, it is true that one correct for one to have a consideration that when the stress comes early in life, it will be related to child abuse at some point in life. The paper puts three most important questions into discussion: The first question is whether the stressors are experienced during early life in the staged of life and more specifically a woman can the changes for major depression disorders during and after her experience. The second is what might be the identification, prevention and treatment for the number of chances that are associated with the individual to suffer major depression disorders clinical disorder. The main focus of this study is basically on the implication of the stressors and how managing this stressor can be difficult but of importance in aging women. The study undergoes through several stages of data collection several discussions and presents its finding on the effect and influential result of early child abuse in association to how women get abused in at anearlystage of life. In conclusion, the study clearly indicates that theearlychildhood or women early marriage abuse can last for a lifetime. It is however important to sue to understand the prevalence of this situation (Kasen et al.,2008). The situation reduces as people get old in life. To connect the first article and the second article, it is noticeable there is a relationship that exist between the onset of depression and the early childhood abuse of the old women who are between the age of 60-93. Unlike the first paper, the article reminds that the future study should put into consideration the involvement of a larger group in order to improve the quality of the results. The third article to be considered in on American journal of public health titled: Depression in Adult Women: Age changes and cohort effects. The articles objective is to find out the rate at which the women get depression and disorders. The article reports that the rate at which women get depression and disorders has arisenstately with no formal consent or explanation. It reveals the researchers who have come up with some proposed explanation for the trend and such a pattern. Some researcher has even argued that the stress is due to the sudden change of roles. The other researchers have cited this from the limitation of study, which has caused the lack of giving specific statistics. The study focus on the issue of distinguishing age and cohort and their association with depression. The paper used the statics data that was collected and analysed. The scores for this is depression were regression of data cohorts and age. The scores for the previous year were also used. It is evidence from the study that real life situationand the current women of the same birth rate has drastically increased the level of depression simply because the model. This level of depression is basically witnessed to be reducing as women get older and as role shift lessen. From this form of statistics, the health sector could also use this data to come up with health policy and social programs which will help the young women manage the level of stress in their lives and help in overcoming the collective effect of depression at their old age. The fourth article in this paper is on depression in adult as a risk factor: The objective of the article is to consider the important of risk factor in women depression and the effect of women youractivities on the old stage. This means that not all women at the old stage cantcope up with some situation in the lifetime. The article raises the question of what leads to older adult women to become depressed. It presents some schoolsfinding on structural changes on the brain. It states that it has found that those with depression are most likely to have a vascular risk factors including the history of cerebralassociated disorders which is also supported by the research (Kasen et al.,2011). It concludes that depression in older women can be understood from a lifespan diathesis stress perspective. The risks and proactive factor normally becomes less prominent in the middle of the depression as they change more periodically and more frequently. Conclusion: In conclusion, the results of the four articles provide a similar concept on the cause and effect of depression in older women. They both present the health and risk factor on the women who experience gender violence and presented a certain rate of gender violence factors. References: Ahamed, M., Alhadlaq, H. A., Khan, M. A., Karuppiah, P., Al-Dhabi, N. A. (2014).Synthesis, characterization, and antimicrobial activity of copper oxide nanoparticles.? Journal of Nanomaterials,? 2014, 17. Kasen, S., Kohen, P., Chen, H., Catille, D. (2011).Depression in Adult Women: Age changes and cohort effects.American Journal of Public Health93(12) Retrieved from Kasen, S., Chen, H., Sneed, J. R., Cohen, P. (2010). Earlier stress exposure and subsequent major depression in aging women. International journal of geriatric psychiatry,? 25(1), 91-99. Kasen, S., Chen, H., Sneed, J., Cohen, P. (2008). Earlier stress exposure and subsequent major depression in aging women. The International Journal of Geriatric Psychiatry, 29(1) 17-27. Dasgupta, N. P., Sun, J., Liu, C., Brittman, S., Andrews, S. C., Lim, J., Yang, P. (2014). 25th anniversary article: semiconductor nanowires–synthesis, characterization, and applications.? Advanced Materials,? 26(14), 2137-2184.

Feminist Theory - 1248 Words

Feminism refers to political, cultural, and economic movements aimed at establishing greater rights, legal protection for women, and or womens liberation. It includes some of the sociological theories and philosophies concerned with issues of gender difference. Nancy Cott defines feminism as the belief in the importance of gender equality, invalidating the idea of gender hierarchy as a socially constructed concept. Feminism has earned itself a bad reputation, but it never undermined gender differences that exist between males and females. A man can never be as good a mother as a female can. Similarly, a woman can never be as good a father as a male can. While accepting these anatomical and physiological differences between the two†¦show more content†¦They challenge the assumption that gender oppression is the primary force of patriarchy. They object to portrayals of women of non-Western societies as passive and voiceless victims and the portrayal of Western women as modern, educated, and empowered. Today, they struggle to fight gender oppression within their own cultural models of society rather than through those imposed by the Western colonizers. They, thus, react against both universalizing tendencies in Western feminist thought and a lack of attention to gender issues in mainstream postcolonial thought. Some postcolonial feminists, such as Chandra Talpade Mohanty and Black feminists, such as Angela Davis and Alice Walker, are critical of Western feminism for being ethnocentric. Chandra Talpade Mohanty criticizes Western feminism on the ground that it does not take into account the unique experiences of women from third-world countries or the existence of feminisms indigenous to third-world countries. This discourse is strongly related to African feminism and is also associated with concepts such as black feminism, womanism, Africana womanism, motherism, Stiwanism, negofeminism, chicana feminism, and femalism. Pro-feminism is the support of feminism without implying that the supporter is a member of the feminist movement. The term is most often used in reference to men who are activelyShow MoreRelatedFeminist Theory : A Feminist Life1591 Words   |  7 PagesWriter, feminist theorist, and professor Sara Ahmed wrote Living a Feminist Life alongside her blog feministkilljoys.com. She started writing it before and completed it after her resignation in 2016 from her post as director of the Centre for Feminist Research at Goldsmiths at the University of London after a lengthy struggle to hold the school accountable for incidents of sexual harassment on campus (Ahmed, n.d.). Her resignation, and location both in and out of the academy informed a lot of theRead MoreFeminist Theory Of Feminism1245 Words   |  5 Pageseffect change in the world when only half of it is invited to feel welcome to participate in the conversation ( Watson, 2014). In the feminist perspective, which is an extension of feminism, there is support of equality for both women and men. Feminism is a belief that women and men have equal rights and opportunities. There are many different branches in the feminist perspective, one of the most interesting one is intersectional feminism. Intersectional feminism believes that experiences of classRead MoreThe Exploration Of Feminist Theory Essay1536 Words   |  7 PagesThe theory focused on is the exploration of feminist theory developed by Mary Wollstonecraft in the 1790’s. The traditional interpretation of this theory is based on the common ideology of feminism within the Communication world. Illustrating gender inequality the feminist theory analysis into the social fields of politics, business, media platforms, and social normalities. Research traditions include socio-psychology and semiotics due to the cause and effect relationships that help create socialRead More The Feminist Theory Essays887 Words   |  4 Pages Feminists rely chiefly on th e contention that the traditional analysis of world politics is fundamentally gendered. Gender-sensitive analysis begins with the premise that societal institutions are made by humans and are therefore changeable by humans. Feminists systematically deconstruct the notions traditionally held by realists and taken for granted as how the world works. Gender-sensitive analysis takes many factors into consideration that the realist does not. As history dictates, theRead MoreSocial Reaction Theory And Feminist Theory Of Crimes1476 Words   |  6 Pages Social Reaction Theory and Feminist Theory of Crimes are the subject theories I am going to review, examine, and explain. I will be discussing the evolution of social reaction and labeling theory, which is mainly concerned with how individuals’ personal identities are highly influenced by the way that society has a tendency to classify them as offenders. I will also be reviewing the various forms of feminist theories, which began as reactions to the lack of reasonable theorizing about why femalesRead MoreFeminist Social Theory Essay1965 Words   |  8 PagesFeminist social theory ought to challenge the ideals of Classical social theory embodied by the work of authors, such Marx, Durkheim, Weber and Simmel. Such traditional values tend to exclude women from their social analy sis of the modern world, as women were considered non social agents. In support of this, Durkheim claim that men were product of society, whereas women belonged to nature, (Harrington: 2005, p.236). Thus, feminist social theory embrace post-enlightenment principles, focusing on valuesRead MoreThe Feminist Theory Of Animal Studies924 Words   |  4 PagesFeminist scholars are concerned with a broad range of issues and topics for discussion. Taking this into consideration, animal studies is a new and edgy field, especially in the context of feminist theory. The general findings of this paper include patriarchal establishments, and speciesism as an institution of oppression influencing and interconnected with sexism. However, this literature review will not explore the connections of animal studies within queer theory due to insufficient research,Read MoreFeminism And The Postmodern Feminist Theory1596 Words   |  7 PagesThe evolution of feminist theory from a modern to a postmoder n viewpoint stands to correct the injustices of historically liberal feminism. For some time, grand narratives have governed the ideas of self and gender from a single experience of â€Å"man†. Traditionally, modern feminism aimed to eradicate the hegemonic theory of inferiority by women to the male gender. Postmodern feminism aspires to eliminate categories of gender altogether, for the social construct of gender is considered to disregardRead MoreEssay on Feminism and Modern Feminist Theory1068 Words   |  5 Pages Feminism is a body of social theory and political movement primarily based on and motivated by the experiences of women. While generally providing a critique of social relations, many proponents of feminism also focus on analyzing gender inequality and the promotion of womens rights, interests, and issues. Feminist theory aims to understand the nature of gender inequality and focuses on gender politics, power relations and sexuality. Feminist political activism campaigns on issues such asRead MoreFeminism Final Exam : Feminist Theory1851 Words   |  8 PagesAlonia Lewis Prof Barnes Feminism Final Exam May 4, 2016 In feminist theory there are two ways to study and research epistemology. There is the Essentialist (standpoint) theory and there is the Social constructivist (post structuralist). The essentialist epistemology is to view certain roles as being the way they are because that is the way that nature has intended it to be. While the post structuralist standpoint is viewing knowledge as if it is all man made. It is to say that everything is

Dash Diet Evaluation Free Essays

Audrey Conn Special Diet Project 04/19/12 The Dash Diet 1. The diet I chose to follow is called the DASH diet. It stands for dietary approaches to stop hypertension (The Dash Diet Eating Plan, 2012). We will write a custom essay sample on Dash Diet Evaluation or any similar topic only for you Order Now 2. The diet was created for people with hypertension. I followed the diet for three days. Normally I don’t think I would have had a problem following this diet because I tend to eat the same foods already but situational factors affected my outcome. The combination of work and finals didn’t give me adequate time to prepare meals. I tried my hardest to get the fruit, grains, and nuts/seeds/legumes servings in because those were the easiest to eat on the go. I followed that pretty well but I definitely didn’t get all of my vegetable, lean meat/poultry/fish, or dairy servings in. 3. The general purpose of this diet is to prevent and control hypertension, also known as high blood pressure. Besides lowering blood pressure this diet aims to improve insulin sensitivity, lower cholesterol, reduce the risk of; cancer, stroke, heart disease, kidney stones, and diabetes, and can also be used as a weight loss diet (The Dash Diet Eating Plan, 2012). . There are a few factors that could potentially make this diet difficult to follow. This diet calls for a lot of whole foods like fruit and vegetables and lean meat. Since this diet is specifically for hypertensive individuals processed foods are out of the question because they contain a large amount of sodium. This detail could pose a problem to those with a hectic l ifestyle. Many people don’t have the time to cook or prepare fresh foods. And others simply don’t enjoy it. If a person isn’t willing to avoid the convenience of processed foods than they cannot follow this diet. This also poses a problem for those that are in the lower class. Fresh fruits and vegetables are more expensive than processed foods and some may not be able to afford it. Availability of the fruits and vegetables could be a problem as well. I didn’t have a problem finding them but someone that doesn’t live near a grocery might, or in an area that does not import out of season produce. Your education on nutrition might hinder your success with this diet. You need to know how to read nutrition labels, your calorie/nutritional needs, serving sizes for different foods, and food reparation. Luckily you can buy The DASH Diet Action Plan book on the website that has a lot of helpful information, advice, and recipes. 5. The first difference is that the Dash Diet categorizes food into 7 groups opposed to 5 on the food guide pyramid. The diet separates legumes and meat into 2 different groups. The food guide pyramid also took out a fats and sweets category whereas the Dash Diet still includes it. The fruit, vegetable and dairy food groups were all very similar in serving size. Grain consumption was a couple servings higher in the Dash Diet. Over all protein was also a little higher because the diet puts legumes/seeds/nuts into a separate group. 6. The Dash Diet focuses on low sodium consumption, or more precisely, the correct amount of sodium consumption. The typical eating pattern includes more sodium than our body needs. This diet also has a higher fiber content than most people usually consume. 7. This diet plan is made for long term use. It contains all the necessary vitamins and minerals that our body needs. As long as you switch up the variety in your foods you won’t be lacking or consuming excessive nutrients. 8. Trying to fit enough lean meat and dairy into my diet was the biggest change I had to make. On average I probably get only 2 to 4 servings of lean meat/fish/poultry a week. Tuna was the easiest way for me to get the servings in. My lack of extra time would make this diet hard for me to follow well. My schedule is always changing so preparing foods all the time would be a hassle. It is also more expensive to follow this diet than my typical eating habits. Money isn’t something I have a lot of. 9. If I had hypertension and was expected to follow this diet I don’t think the transition would be that difficult. However, the transition would be easier if I had a scheduled time every day or every week that gave me time to prepare food and meals in bulk to save time. 10. I think I’ll have a better understanding of what others go through when they have special diets. It can be a large inconvenience depending on your lifestyle. I’ll also have an appreciation for those that have special diets and actually follow them. I had issues with just three days. Works Cited The Dash Diet Eating Plan. (2012, April). Retrieved from The DASH Diet: http://dashdiet. org/ How to cite Dash Diet Evaluation, Essay examples

Soldiers Attitude to Wwi free essay sample

Soldiers were perceived as a coward if they had not enlisted to go to war. Women would hand them a white feather, symbolising that they did not show pride in their country. This glorious adventure was backed up by the feeling that both spiritual renewal and courage could be developed. Soldiers believed that the war would be over Christmas and many had feared that war would be over before they had even got involved. Captain Julian Grenfell, in a letter to his mother during war, had emphasized that he â€Å"adore(s) war, it’s like a big picnic without the object lesson of a picnic. I’ve never been so well or so happy†¦ it is all the best fun. † As depicted from a photograph of a crowd in Berlin at the outbreak of war in 1914, many numerous young men are saluting their hats the sky and singing praises due to the outbreak of war, outlining happiness and excitement, through the expression evident on their faces. War poet, Wilfred Owen, outlines the enthusiasm and keenness to join war as he emphasizes that, â€Å"O meet it is and passing sweet, to live in peace with others, but sweet still and far more meet, to die in war for brothers. Owen encourages readers to enlist for war as it is a honor and a credit to serves for ones country. War poet Rupert Brooke, in his poem, ‘The Soldier,’ mentions, â€Å"†¦and think, this heart, all evil shed away†¦laughter, learnt of friends and gentleness,† as he outlines the positive experiences of engaging in the war effort. Author W. H Stephens, of ‘Imperial Camp Songs and Recitations of the war of 1914-1915,’ states that â€Å"if you want a jolly outing at this season of the year, just put on a Khaki outfit,† highlights that the need to feel good is to enlist in the war. In Europe, the war was known to have brought needed â€Å"purification and spiritual cleansing. † At the beginning of the war in 1914, Britain’s men of one million had enlisted in the war with three million having enlisted by the end of 1915. Buckingham Palace in Britain was surrounded by cheering crowds, as nationalism was evident everywhere. The German’s had believed that they felt they needed to be attacked. The Military Law Proclamation of the 31st July, 1914, had called all men for military service. Reports proved that ten million men were on camp. Both allied and German soldiers were enthused to engage in the war effort at the beginning of 1914 and 1915. It is known by Historian Malcolm Brown, that within two months at war, the soldiers were starting to become disillusioned. The reality was starting to kick in as they had not comprehended what they were in for. The Christmas truce had acted as an agreement between the two opposing sides, of the allied and Germans, to cease fighting. On Christmas day, the guns had stopped firing. This had changed the attitude of the German and allied soldier as gifts were exchanged, such as alcohol, cigarettes, chocolates and photographs, singing of Christmas carols were heard and conversation between them was spoken. Due to such actions evident on no man’s land, Commander of the British Expeditionary Force, Sir John French, ordered, â€Å"to prevent any reoccurrence, of such conduct, and called the local commanders to strict account, which resulted in a great deal of trouble. In a letter to his mother, Second Lieutenant Dougan Chate r, on the 25th of December, 1914, mentioned â€Å"I have seen one of the most extraordinary sights today that anyone has ever seen†¦our men went out to meet them [German’s] and in about two minutes the ground between the two lines of trenches was swarming with men and officers of both sides shaking hands and wishing each other a happy Christmas. † Bruce Bairnsfather, an Eng lish Soldier, recalled that â€Å"there was not an atom of hate on either side that day: and yet, on our side, not for a moment was the will to beat them relaxed. The military leaders of that time could not punish any soldier for his actions that day, yet warned them that it was to not happen again, as they issued strict orders. Leaders had encouraged the soldier’s to envy the opposition and encouraged fighting to continue, so that soldiers would not develop friendships and not want to fight any more. Although this was to never transpire again, there are some accounts of this occurring on Christmas In 1915. A changing attitude to war developed between the allied and German soldiers. War weariness had begun to settle in and the enthusiasm and passion to fight in war had died off. The war had gone on a lot longer than anticipated. The battlefields were becoming increasingly difficult for soldiers to bear. There was realization that the war would continue. The soldiers felt like nothing more than a trip home. In July 1918, Private A. Golding stated that, â€Å"Ill own, that his shells put the wind up me, and that Im not, and dont want to be a hero. I want to go home. † This is in great comparison to what the soldiers had previously thought. The conditions on the battlefields were harsh, which contributed to war weariness as soldiers comprehended the comparison of their previous thoughts of war, with present reality. Dangerous, loud explosions were encounted by the soldiers on the battlefields as â€Å"a terrific crash which flung me yards,† was experienced by the soldier, R. H Mottram, author of the Personal Records of the War. He suffered â€Å"enormous noise†¦ continuous explosion,† which degraded and disturbed the living conditions of soldiers on the Western Front. Private W. Carson Carton mentioned that food was â€Å"cooked in the same container it was boiled†¦and plum and apple jam and biscuits were washed down with tea. † The soldier’s enthusiasm between each other was still alive, yet many had given up. War time poet, Wilfred Owen, in his poem, â€Å"The Dead-Beat,† states that, â€Å"He dropped, more sullenly than wearily, Lay stupid like a cod, heavy like meat, And none of us could kick him to his feet. † Due to personal losses and huge casualties, the soldier’s began to view war very differently. Poet Henry Weston Pryce, in 1918 stated that,If such be life, and if to lives to love, O God, weve made a bloody mess of it! German and Allied attempts to break the stalemate through the Schlieffen Plan, the Battle of the Verdun, Operation St. Michael, as well as the Battle of the Somme and Passchendaele all contributed in increasing war weariness due to the amount of casualties and deaths. War weariness began to settle in as time had ventured on and the soldier’s attitude to war had significantly changed in comparison to what emotions were felt in 1914. German’s had a change in attitude during World War One alike the Allies. War weariness for the German’s was an even more serious problem. On the home fronts, Germany’s citizens were undertaking strikes to resemble the grief hat the soldiers were feeling and the urge for war to not continue. August 8th had been marked â€Å"the Black Day† for Germans as the allies were keen to push through German front lines to victory. On this day, â€Å"all hell broke loose and we heard nothing more. The world was enveloped in sound and flame, and our ears just couldnt cope. The ground shook. † ( Gunner J. R. Armitage). Battles on the War front ha d a significant impact on the German soldiers. Ludendorff claimed in 1918 that, â€Å"The Somme was the muddy grave of the German field Army. Confidence, Morale, and self esteem had gradually fallen in the high spirits of German soldiers. German soldier, Adolf Galland mentions â€Å"Of course, the outcome of the war would not have been changed. The war was lost perhaps, when it was started. † The changing attitude of the soldiers was clearly evident in the German army. Many contributing factors accumulated for the changing attitudes of both allied and German soldier’s fighting on the War Front. The changing attitudes from enthusiasm to depression had a significant impact on the German and Allied soldier’s experience at war.

The Past is a foreign country Essay Example

The Past is a foreign country Paper The Past is a foreign country: they do things differently there. Referring to L. P. Hartleys novel The Go-Between and Philip Larkins poetry anthology The Whitsun Weddings, explore the significance of the past. Whats gone and whats past help, should be past grief. L. P. Hartleys novel and Larkins poetry demonstrate the lack of reality in this philosophy, a point that Shakespeare clearly implies with the use of the auxiliary verb should. Although a foreign country our capacity of memory allows us to continue living in that strange land making the events that occurred there very much present grief. The devastating history of The Go-Between epitomises the power that the past has to dictate our lives. That one summer in adolescence can affect the next fifty years of a mans life illustrates the influence that the past has on the present. Similarly, the poetry of Philip Larkin portrays how alive and existing the past is, in memorabilia, in our children, in artifacts and in ourselves. A post mortem of Leo Colstons metaphorical death, the novel The Go-Between, tells the account of how a boy was prematurely forced into adulthood, an adulthood never lived out. The events that occurred at the age of twelve crippled Leo to such an extent that even in his sixties he has not recovered; he is dried up, the husk of a man. One summer in his youth holds more significance for him than any other time, it is the only time in his life that Leo lived but also the time at which he gave up on his existence and died. We will write a custom essay sample on The Past is a foreign country specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on The Past is a foreign country specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on The Past is a foreign country specifically for you FOR ONLY $16.38 $13.9/page Hire Writer The Leo Colston of pre-1900 remained at Brandham Hall, where they do things differently, and it is only at the age of sixty-four when he returns in person that he is able and dares to start living once more. After opening Pandoras box, his diary from that eventful year, he decides to confront the past. Despite Leos advance in age he still possesses childhood nostalgia contained in a box, which like him is battered, all these years later. He stored away memorabilia from his early days, evidence that he had not recovered from what happened in the past. In this searching exploration of the nature of memory as termed by Douglas Brooks-Davies, we are shown the ability that the faculty has, as well as memorabilia, to contain the past. Colston was unable to throw away his physical memories just as much as he was unable to rid them from his mind; he did not have closure on the events that took place in Norfolk, it was unfinished business. The prologue of this bildungsroman sees Leo Colston unable to resist the enervating power of his boyhood diary, and so he once again opens the door to his disturbing past. Both the prologue and epilogue of the novel are evidence of the great significance the author places on the past, shown in the pathetic life he has created for green Leo Colston, a now cindery creature, a dull dog. Many factors contributed to the breakdown of the young go-between, not solely the revelation of the sexual act. The twelve-year-old Leo Colston was emotionally immature. He knew nothing of the facts of life and believed that by being a go-between he was a messenger of the gods so high were the Maudsleys in his esteem. Therefore when plunged into water too deep for him, acting as the lynch-pin of the whole business, he was destined to get hurt. After weeks of manipulation by his adored Maid Marian, amounting to psychological child abuse on her part, he was then sadistically forced by a hysterical Mrs. Maudsley to witness the two bodies moving like one. Leos downfall had almost reached its peak. The climax arrived however with the news that Ted Burgess had gone home and shot himself, releasing the metaphorical trigger that was to kill Leo the schoolboy and force him into an unpleasant adult world. The Diary for the year 1900 is a snapshot of naivety, as regards to both Leo and society, echoing the line from Philip Larkins poem MCMXIV: Never such innocence again. Both Leo and England were ignorant of the capabilities of man. Later England was to be disillusioned by the atrocities of two world wars and on a personal scale Leo was to lose his faith in the morality of man. It could be argued that had this novel not been set at the turn of the twentieth century but one hundred years later at the turn of the millennium, Leo Colston would not have suffered a nervous breakdown. Due to advancements in technology there would have been no need for a messenger to aid a secret love affair. The romance between Marian Maudsley, aristocrat and the farmer Ted Burgess would probably not have needed to be a secret at all due to the lack of such a segregated class system in todays society, and also due to the much improved status of women who are now far more liberated as regards sexual relationships and marriage. It is also improbable that an adolescent approaching thirteen in todays society could be as nai ve as Leo concerning the facts of life. The past therefore also has significance in terms of context and as the setting for L. P. Hartleys novel. In The Go-Between L. P. Hartley accurately recaptures the mood of the late Victorian period, through his novel the reader is allowed to witness not only Leos past but also the age in which Leslie Poles Hartley lived. The novel contains many similarities to the authors life and to a certain extent is autobiographical. Lord David Cecil praised Hartleys ability as a historical and social commentator believing him to be One of the most distinguished of modern novelists (And) a sharp-eyed chronicler of the social scene. The Epilogue of the novel shows most effectively the relationship between the past and present. When Leo Colston returns to the village near Norwich where the frightful trouble occurred, it is to a landscape as foreign to him then as when he first arrived there as a pubescent schoolboy. Whilst Leo has lived a monotonous existence for fifty years the most changeful half a century in history has taken place in the world around him. Yet other things remained unaltered. Marian Maudsley still has the power to bewitch Leo, to emotionally blackmail him, to make him carry out a final errand of love. Despite himself Leo is compelled to enter the world of Brandham Hall once more to deliver Marians words to her grandson, Ted Burgess grandson, the character of Edward symbolising the legacy we create in our children. As long as people continue to procreate they will never truly die, but live on through their offspring. Although his farmer friend had taken his own life all those years ago, Leo sees Ted Burgess once more in the face of his grandchild. On seeing the Hall, Leo allows himself to start recollecting fully the time he spent there. As he revisits the foreign country of his past he allows himself to stop being a stranger there and to understand that past land and the events that took place there. Also a foreigner in the world of emotion his entire adult life, Leo Colston will be no longer as he attempts to lay his ghosts to rest. In his anthology The Whitsun Weddings Philip Larkin explores the concept of past and its different aspects. With Afternoons he examines the passing of time; generations growing old without hardly noticing, then looking back at their pasts, their youths, from the hollows of afternoons. Mr. Bleaney was a person of the past and yet his personality lives on through the tales of his landlady and the stamp of bleakness that he left on the hired box. Yet it is in poems such as Love Songs in Age where Larkin truly observes the role that the past plays in our everyday lives, the ability nostalgic souvenirs have to comfort and move us as well as to disappoint. As in The Go-Between a tatty keepsake is the key to unlocking the past, again memories both fond and painful. The tone of the first verse is very matter of fact, simply informing the reader of how a widow accidentally stumbles upon some old, uncared for songbooks. Although unloved she could not face throwing them away as they took so little space. The simplicity of the language used complements the everyday value of the subject matter whilst at the same time informing the reader of the domestic situation of the lady in question. The repetition of One emphasises the lack of importance that the items held for the widow, but almost as though they knew of their own significance they had waited. Now however, in the autumn of her life they awaken nostalgic recollections as she vividly remembers the unfailing sense of being young and in love. The second stanza of the poem creates an optimistic mood, an illusion of sentimental love that makes her feel youthful once more like a spring-woken tree. Yet in the closing stanza Larkins underlying theme of cynicism emerges as the widow realises that the ideal of love portrayed in the song words is merely an illusion. Alliteration emphasises the lack of truth in the promise love makes to solve, satisfy and set unchangeably in order. In confronting this painful reminder from the past the widow also has to face the reality of the present, the two are entwined. The sentimental illusion of romance aimed too high and could not fulfil its promises; It had not done so then, and could not do so now.

The Ultimate SAT Literature Subject Test Study Guide

The Ultimate SAT Literature Subject Test Study Guide SAT / ACT Prep Online Guides and Tips The SAT Subject Test in Literature, formerly known as the SAT II Literature Exam, is one of the most popular Subject Tests. This might be because you don't necessarily need specialized knowledge, such as foreign language fluency, to do well on it. However, it also has a reputation for being a fairly difficult test. Luckily, I- 800-scoring sorceress of the SAT Literature Subject Test- am here to take you through all the particulars of the exam. We'll go through whether the exam is right for you, its format and content, its question styles, study hacks, practice resources, and test-day tips. Let's get the magic started! Here is a quick guide for those who'd prefer to skip around: Should You Take the SAT Literature Subject Test? SAT Literature Subject Test Format Passage Content Question Formats SAT Literature Test: Question Content and Skills Tested SAT Literature Test: 4 Essential Strategies for Preparation Where to Find SAT Literature Practice Tests and Resources How to Ace the Literature Subject Test: 6 Test-Taking Tips Wrap-Up: What to Know About SAT Literature Bonus: Want to get a perfect SAT score? Read our famous guide on how to score a perfect 1600 on the SAT. You'll learn top strategies from the country's leading expert on the SAT, Allen Cheng, a Harvard grad and perfect scorer. No matter your level, you'll find useful advice here - this strategy guide has been read by over 500,000 people. Read the 1600 SAT guide today and start improving your score. Should You Take the SAT Literature Subject Test? There are, in general, a few reasons why you might take one or more Subject Tests. You might take them because a school you are applying to requires or recommends them, or you might take them because you want to show mastery in a subject that you are particularly gifted in. Beyond that, should you choose the SAT Literature Subject Test in particular? Ask yourself the following three questions to help you decide: Burning questions. #1: Do You Like (or at Least Not Hate) English? Most people don't love all subjects equally. You might feel as though you should take Literature if your other SAT Subject Tests are all math and science so that you can show a diverse set of skills- even if, in reality, English bores you to tears. But trust me- it's going to be much less painful for you, and better for your college applications, if you take SAT Subject Tests in things you are really interested in. This will give a truer picture of who you are as a student anyways. #2: Will You Do Well on It? Obviously, you aren't an oracle and can't know for sure whether the SAT Subject Test in Literature will be a home run for you. But before you register, you should think about whether or not you are positioned to do well on the exam. The College Board recommends three to four years of literary study "at the college prep level." I took the test in the fall of my junior year and was fine, but I wouldn't advise taking it earlier than that. If you've done well in your high school English classes, you can reasonably expect to do well on the Literature exam with the help of some preparation. That being said, you might still want to take a practice test before you register to get a ballpark idea of how much work you have to put in. Don't expect to get an 800 right off the bat! However, if you do really poorly on a practice test, consider going with a different Subject Test or postponing the Literature exam so you have more time to prepare for it. #3: When Are You Applying to College? When you'll be applying to college can help determine how soon you should take the Literature Subject Test. If you take the exam too early in your high school career, you won't necessarily have the skills base you need to do well. Take it too late, though, and you might not have time to retake it if you didn't score as well as you wanted to. I'd advise doing your first go-around sometime in your junior year. (You can take it later in the school year or over the summer if you think you need more time to prepare- see our guide to SAT Subject Test dates.) If you decide to take the Literature exam, you'll want to get familiar with the test format. Read on to learn more, noble scholars of literature! So noble. Very scholarly. Wow. SAT Literature Subject Test Format Like the other Subject Tests, the SAT Literature Subject Test is one hour long. You'll answer about 60 multiple-choice questions, although the number varies slightly among administrations of the test. Each question has five answer choices. Every correct answer is worth 1 point, and incorrect answers are worth -1/4 points as a way to discourage random guessing. Unanswered questions are worth 0 points. On the test, your task will be to answer questions on six to eight passages of English literature. Passages will generally not include authors or titles, but you will be able to find the original date of publication (or estimated date of composition) at the end of each excerpt. Every fifth line will be marked so you can quickly find your way around the passage when answering questions. Each passage has its own set of questions; it's like six to eight little mini-tests ranging from four to 12 questions per passage. The first and last questions for each excerpt will generally be about the passage as a whole, while the ones in the middle will usually ask questions about specific parts of the passage. Unsurprisingly, the questions on this exam will ask you to analyze elements of literary passages. This could be anything from identifying the overall theme, to dissecting the meaning of a phrase in context, to analyzing the use of figurative language. I'll go over more specifics later on, but that's the basic idea. On the exam you could see prose, poetry, drama, etc., from as early as the Renaissance period to as recent as the 20th century. Expect to see literature from the US, England, and occasionally other English-speaking countries. Works have to be originally written in English to be included in the exam, so no excerpts from Les Miserables or One Hundred Years of Solitude. Note that topics and genres are not randomly distributed. In the next section, we'll go into what percentages of different sorts of material you can expect to see on the Literature test. You might see an excerpt from one of these on the exam! SAT Literature Passage Content Passages will generally not come from highly recognizable works, but they will be chosen because they have some literary merit in the eyes of the College Board. In general, the College Board takes pains to select passages that are pretty uncontroversial in their theme and content, avoiding anything that requires a deep level of specialized cultural or religious knowledge to interpret (so no drawn-out allegories about Christianity or anything like that). The six to eight passages you'll need to examine for the SAT Literature Test can be divided along three categorical lines: Author's nationality (American, English, or other) Genre Time period It breaks down like this: #1: Author's Nationality On the Literature Subject Test, 40-50% of passages will be written by an American author, 40-50% by a British author, and 0-10% by another author writing in English. So you can expect about half and half British and American authors, with maybe one passage written by an author from another country. As you might have noticed, this is very much a Western-lit centric test. #2: Genre In terms of genre, 40-50% of passages will be prose; these are mostly short excerpts from fiction or essays. Another 40-50% will be poetry; these are typically full-length poems, though sometimes the College Board will take a shorter section from a long work of verse. Finally, about 0-10% will be drama or another genre, such as a folktale, myth, etc. Once again, you can expect about half and half between poetry and prose, with maybe one passage using a different form of writing. #3: Time Period This breakdown is a little different than the two above. You can expect 30% of passages to come from the Renaissance (late 15th century) through the 1600s. This equals about two passages. Another 30% will come from the 1700s-1800s, so expect another two passages or so there. The remaining 40%- around three passages- will come from the 20th century. As you can see, the test is a little more heavily weighted toward the modern era, but you should be prepared for literature anywhere from the late 1400s to the 1900s. Don't worry- you won't need to read Middle English or Old English for earlier works. Passages will be comprehensible. The language won't be any older than Shakespearean English! You might see stuff by this guy. Extra Advice: Want to get into the best college you can? Read our famous guide on how to get into Harvard, the Ivy League, and your top choice college. In this guide, you'll learn: What colleges are looking for in your application How to impress your top choice colleges Why you're probably wasting your time on activities that don't matter Even if you're not actually interested in Ivy League schools, you'll still learn something fundamental about how to apply to college. Read our top college admissions guide today. SAT Literature Question Formats All questions on the Literature Subject Test are multiple choice with five answer choices each. Within that framework, there are four kinds of questions you can expect to see. I've included an example of each type (though I haven't included the passage). I will use most of the same questions with the passage later on in the article, so if you'd like to see the passage, scroll down (or Google "Aedh Wishes For the Cloths of Heaven" by W.B. Yeats). Note: I wrote all the questions in this article, but they are closely based on real SAT Literature questions written by the College Board. #1: Standard Multiple-Choice Questions About the Entire Passage These are questions that apply to the whole passage; they often ask about things such as theme or tone, or other concepts that can be generalized to the entire excerpt. EXAMPLE The best description of the tone of the poem is: joyful and fanciful despairing and grim serious and triumphant earnest and supplicating witty and lighthearted #2: Standard Multiple-Choice Questions Referring to a Specific Line or Moment in the Passage You will be pointed to a specific part of the passage and asked a question about only that part. Usually, these questions will have a line reference included, but sometimes you are just given the specific phrase, and you'll need to find it in the passage yourself to answer the question. EXAMPLE In the context of the poem, the adverb "enwrought" (line 2) most nearly means: decorated rewarded purchased compensated destroyed #3: NOT or EXCEPT Questions For these SAT Lit questions, you'll need to select the answer choice that does not apply to the passage. "NOT" or "EXCEPT" will helpfully be capitalized, so you should be able to spot these fairly easily. Just remember to read carefully! EXAMPLE The following words all describe the cloths of heaven EXCEPT: embroidered blue dim dark poor #4: Roman Numeral Questions For these questions, you will first be asked a question, and then given a series of statements identified with Roman numerals that are potential answers to that question. Your five lettered choices (A-E) will present different combinations of the Roman numerals. This essentially allows the College Board to ask multiple-multiple choice questions, in which more than one Roman numeral statement correctly answers the question. EXAMPLE Which of the following statements can be inferred about the speaker from the poem? The speaker thinks the person he is addressing is very beautiful. The speaker is not wealthy. The speaker's dreams are very precious to him. I only I and II only III only I, II, and III II and III only You will not be taking the test on a typewriter. SAT Literature Test: Question Content and Skills Tested The SAT Literature Test won't ask you any questions about literary history, though a basic working knowledge of literary movements probably wouldn't hurt- it might even help you orient yourself on the passages. Instead, your main task on the test will be to analyze the passages. In order to be able to answer these analytical questions, the College Board says that you'll need to know "basic literary terminology" and "literary concepts." This might seem a little intimidating, but the truth is that you've likely heard of many of these concepts before- ideas such as tone, theme, stanza, hyperbole, alliteration, etc. And even if you haven't, they're pretty easy to learn. (See the "4 Essential Strategies for Preparation" section below.) All of this might sound daunting, but it's not so bad. SAT Lit questions generally fall into eight easily digestible sub-categories. These categories apply to both prose and poetry, although you will see some kinds of questions appear more often with prose passages (e.g., character analysis), while others appear more often with poetry (e.g., figurative language). In the interest of readability, examples will be grouped together in the middle of this section and at the end so that questions can appear with the relevant passages. Category 1: Reading Comprehension "But Ellen," you might be wondering, "Aren't all these questions more or less about reading comprehension?" Yes, yes they are. But some questions- instead of asking you to do deeper analysis- will ask more basic questions about things such as who is speaking, who's being addressed at a given point in the text, or what events are being described. I will also include in this category the very rare (maybe one per test) grammar question. That's right- very occasionally, the SAT Literature Test will ask you a functional grammatical question on something like subject-verb agreement or identifying the main verb. The purpose of this question is generally to clarify a complex sentence for you so the passage is easier to analyze. Category 2: Meaning of Words and Phrases in Context This is a super-popular category; you can expect about one of this question type per passage. You'll be given a word and asked what it means in the specific context of the passage; this could be either the denotation (literal meaning) or connotation (implied meaning). Sometimes you'll be asked one of these questions because the word is being used in a strange way. Sometimes you'll be asked because the word itself is unusual. You can almost always figure these questions out from context clues, even if you aren't immediately familiar with the usage. Category 3: Questions on General, Sweeping Elements of the Passage A couple of questions per passage will ask you to make a sweeping analysis of the excerpt. These questions might ask about the following elements: Tone of the passage Theme Mood Overall descriptions of the language used Overarching purpose or argument You might also occasionally be asked a question about the structure or the genre of the piece (e.g., Is this prose passage a work of satire, a personal narrative, etc.). Category 4: Literary and Rhetorical Devices This is where knowledge of basic literary terminology will come in handy. These questions ask you to identify and/or analyze the use of literary and rhetorical devices. You might be given a phrase and asked what device is being used (e.g., is it hyperbole, alliteration, personification, etc.). You might also be asked to note where in the text a specific device is being deployed. You will need a little specialized knowledge for this type of question, and it's an important area to do some targeted studying in before you take the exam. Ah, the stars. Perennial subject of poetic imagery. Examples 1-4 Examples 1-4 are based on the following passage: Had I the heavens' embroidered cloths, Enwrought with golden and silver light, The blue and the dim and the dark cloths Of night and light and the half light, (5) I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams. (1899) Example 1: Reading Comprehension The following words all describe the cloths of heaven EXCEPT embroidered blue dim dark poor This is a reading comprehension question because it relies on your ability to understand what words are describing the "cloths of heaven" at various points in the poem and what words are not. "Poor" describes the speaker; everything else describes the cloths: the "embroidered cloths," the "blue" cloths, the "dim" cloths, and the "dark" cloths. The correct answer, therefore, is E. This question tests your ability to reach a fairly basic understanding of what is being said in the poem as opposed to any sort of deeper literary analysis. Example 2: Meaning of Words/Phrases in Context In the context of the poem, the adverb "enwrought" (line 2) most nearly means: decorated rewarded purchased compensated destroyed Any time you have a line reference and are asked what a word or phrase means, what it connotes, or what it is best understood to mean, it's probably a vocab/phrase in context question (unless you're being asked what a metaphor or simile means). "Enwrought" is sort of a weird old word- exactly the kind of word the College Board likes to target for this kind of question. The correct answer is A: decorated because it's the only answer choice that makes sense in the context of the poem- even if you have no idea what "enwrought" means when you first look at it. Example 3: Questions on the Overall Passage The best description of the tone of the poem is: joyful and fanciful despairing and grim serious and triumphant earnest and supplicating witty and lighthearted This question asks you to identify the tone of the entire poem, so it's an overall passage question. Since the poem is so short, you could go back and quickly reread it to answer this question. You might notice that the tone is rather serious in nature; this poem is not meant to be funny or cute but is a deep expression of devotion. By the same token, the tone is not particularly happy or sad but expectant: the speaker is making a request ("tread softly ... on my dreams") and does not yet know whether his request will be honored. A glance through the answers shows that the only answer choice that really makes sense is D. Example 4: Literary Devices Which of the following devices does the poem use most frequently? repetition personification alliteration apostrophe hyperbole This is a pretty typical question you might see in the literary devices category. You're given a list of literary terms, and then you have to pick the one that is most appropriate to the poem. Even if you don't know all the terms here, it's pretty clear that the answer is A. The poem involves the repeated invocation of "cloths," "light," "feet," and "dreams." It'd be hard to top that level of repetition with pretty much any other device. With the first four examples covered, let's move on to the last four question categories on the SAT Literature Subject Test. Tread softly on these dreams. Category 5: Metaphor and Simile- Identification and Interpretation Yes, metaphor and simile are technically literary devices, but I've given them their own subcategory because questions about them are so prevalent on the SAT Literature Test. In general, these questions fall into two categories: identification and definition. For identification questions, you will simply need to identify the metaphor or simile among the choices given; you might also need to identify what is not a metaphor or a simile for NOT/EXCEPT questions. For definition questions, you'll need to choose the answer that best describes what a particular metaphor or simile means or conveys in the text. Category 6: Analyzing the Narrator (Prose) or Speaker (Poetry) The "narrator" and the "speaker" are two different names for the same term; the narrator is the voice that relates a prose passage and the speaker is the voice that relates a poem. This is not the same as the author. The narrator/speaker is a construct created by the author to relate the passage. In a sense, the narrator/speaker functions as a lens through which the passage is conveyed to you, the reader. You might be asked questions about the narrator or speaker's tone, motives, position within the text, point of view, attitude, voice, etc. Essentially, who is the person relating the passage, how are they saying it, why are they saying it, and who are they speaking to? Category 7: Analyzing Character You will be asked to analyze character more often in prose than poetry, but poems do sometimes have characters, so this category applies to both kinds of passages. You will almost certainly be asked to analyze character in dramatic excerpts. You might be asked to identify characteristics of a character as conveyed by the author (characterization), a character's motives, and so on. Category 8: Analyzing Dialogue This is similar to character analysis as character is often conveyed through dialogue, but you might also be asked to identify the tone of a piece of dialogue, its meaning, or its specific function within the piece. This is another category you can expect to see a lot of for drama, and some for prose- but only a little for poetry, if at all. I bet this dialogue would be interesting to analyze. Examples 5-8 Examples 5-8 are based on the following passage: "Nelly, do you never dream queer dreams?" she said, suddenly, after some minutes' reflection. "Yes, now and then," I answered. "And so do I. I've dreamt in my life dreams that have stayed with me ever after, and (5) changed my ideas: they've gone through and through me, like wine through water, and altered the colour of my mind. And this is one: I'm going to tell it- but take care not to smile at any part of it." "Oh! don't, Miss Catherine!" I cried. "We're dismal enough without conjuring up ghosts and visions to perplex us. Come, come, be merry and like yourself! Look (10) at little Hareton! He's dreaming nothing dreary. How sweetly he smiles in his sleep!" "Yes; and how sweetly his father curses in his solitude! You remember him, I daresay, when he was just such another as that chubby thing: nearly as young and innocent. However, Nelly, I shall oblige you to listen: it's not long; and I've no power to be merry to-night." (15) "I won't hear it, I won't hear it!" I repeated, hastily. I was superstitious about dreams then, and am still; and Catherine had an unusual gloom in her aspect, that made me dread something from which I might shape a prophecy, and foresee a fearful catastrophe. She was vexed, but she did not proceed. Apparently taking up another subject, she recommenced in a short time. (20) "If I were in heaven, Nelly, I should be extremely miserable." "Because you are not fit to go there," I answered. "All sinners would be miserable in heaven." (1847) Example 5: Figurative Language The simile "like wine through water" (line 5) reveals that Catherine's dreams ... make her intoxicated reveal the future affect her powerfully. frighten her are very strange SAT Literature will frequently ask you to either identify metaphors/similes or analyze what they mean. It's important in questions like this one to consider only what the specific figurative language means and not whether the other answers are true based on the rest of the passage. Her dreams might be strange (she calls them "queer"), but that is not what the simile means. She says that they are like wine through water in that they "change the colour of her mind." This suggests that the simile means the dreams influence her, in much the same way that adding wine to water would change the water. The correct answer is C. Example 6: Narrator/Speaker Analysis Which of the following statements can be inferred about the narrator from the passage? The narrator is uncomfortable with the supernatural. The narrator believes Catherine is a good and moral person. The narrator dislikes children. I only I and II only III only I, II, and III II and III only. Narrator analysis questions will frequently ask you to identify the viewpoints or opinions of the narrator based on the passage. It's important in these questions to rely only on what is in the text and not make any unsupported inferences. It's pretty clear, for example, that the narrator here is "uncomfortable with the supernatural" since she describes herself as "superstitious of dreams" and fears they might be prophetic. It's also clear that the narrator does not believe Catherine to be good and moral because she says Catherine is a sinner who does not belong in heaven. It doesn't seem that she dislikes children, though; she describes Hareton as "smiling sweetly." The only Roman numeral statement that there is enough evidence in the passage to agree with is I, so the answer is A. Example 7: Character Analysis We can understand from Nelly's admonishment, "be merry and like yourself" (line 9), that Catherine's current mood is ... a portent of things to come unusual given her typical disposition normal for her dangerous to the baby Hareton evidence of her moral perversity This is a character question as we are being asked to analyze Catherine's character based on a specific moment in the passage (Nelly's admonishment). In a question like this which points to a particular line or place in the text, it's important to examine what the particular line means and not make any inferences about the character based on the rest of the text. In this case, it might well be that Catherine's mood is portentous or evidence of her perversity, but this is not suggested by the phrase "be merry and like yourself." It tells us that she is (1) not merry and that this is (2) unusual. So, the correct answer is B. Example 8: Dialogue Analysis The tone of "Because you are not fit to go there," (line 21) can be best described as apprehensive sharp patronizing reverent whimsical This is a dialogue question because you are being asked to analyze the dialogue (specifically its tone) in a way that is not related to a given character. It can be hard to identify the tone of a piece of dialogue when there aren't many cues surrounding the dialogue, as in this passage. It might be easiest to simply imagine the dialogue being said in each tone and pick which makes the most sense and/or is the most consistent with the rest of the passage. It should be pretty clear that, if you do this, the answer is B: sharp. Don't worry- the passages will not be rendered in the authors' original handwriting. Those are the eight question types you can expect to see on the SAT Literature Subject Test. But how should you prepare for them? I'll cover four essential prep strategies next. Want to improve your SAT score by 160 points? Tired of wasting time prepping in ways that don't work? We have the industry's leading SAT prep program. Built by Harvard grads and SAT full scorers, the program learns your strengths and weaknesses through advanced statistics, then customizes your prep program to you so you get the most effective prep possible. It's the best prep program available right now. Best of all, we guarantee your money back if you don't improve your score by 160 points or more. Check out our 5-day free trial today: Improve Your SAT Score by 160+ Points, Guaranteed SAT Literature Test: 4 Essential Strategies for Preparation Although you'll learn a decent amount of the knowledge necessary to do well on the SAT Literature exam just from your high school English class, there are still some things you can (and should) do if you really want to hit it out of the park. Here are four essential steps you can take to prepare: Strategy 1: Read Old Stuff The College Board recommends "close, critical reading of English and American literature from a variety of historical periods and genres." It's not likely you'll read anything that will end up on the exam, but reading a wide range of poetry and prose originally composed in English from relevant time periods (i.e., Shakespearean era through the 20th century) will help you feel familiar with English-language literary writing from all the time periods covered on the exam. Also, if you look up any words you don't know when you encounter them in a text, you'll have a leg up on meaning in context questions. So I'd try to read classic literature and poetry from many time periods for a few hours a week. Strategy 2: Learn Literary Terms and Concepts Even if you think you know them all, you should review basic literary terms and make sure you know how various devices are deployed. Some good resources for learning literary terms are as follows: PrepScholar's list of the 31 most important literary devices to know, with definitions, explanations, and examples for each Literary-devices.com (an actual site all about literary devices!) offers an extremely comprehensive list, with examples This list from a high school teacher's AP course also has a pretty good array of major literary terms Strategy 3: Learn and Practice Literary Analysis (Especially Poetry) You've hopefully learned literary analysis techniques in your high school classes, but it doesn't hurt to brush up on these skills. A primary skill needed for the SAT Lit test is the ability to close-read texts- that is, to identify what the author is doing and why he or she is doing it. Most close-reading you do in school is going to involve building your own argument about a text as opposed to answering analytical questions, but the skills are similar. Here are some helpful resources you can use to practice close reading: The writing center at the University of Wisconsin-Madison offers a helpful guide to close reading The Purdue OWL gives good advice on how to close-read poetry specifically The Harvard College Writing Center also has a useful close-reading guide Furthermore, many students, even those who are good at English, are not particularly comfortable with poetry. Never fear! There are resources available to help you get more comfortable with poetry. First things first, reading more poetry will make you more comfortable with it (shocking, I know). Here are some excellent resources you can use in your studies: The Writing Center at the University of Wisconsin has a guide to reading poetry Poets.org has their own guide to reading poetry, along with two close readings of poems Strategy 4: Take Practice Tests If you want to prepare well for the SAT Literature Subject Test, take practice tests! Familiarity with the exam format and the way the questions are worded will keep you from being tripped up on exam day. For more tips on where to find practice tests, read on! Practice, practice, practice! Where to Find SAT Literature Practice Tests and Resources The best resources for SAT Literature practice tests come straight from the source- the College Board. Since they create and administer the SAT Literature Subject Test, it makes sense that they would have the best study resources. The College Board offers a set of 23 practice questions on their online prep interface. You can get the same practice questions in PDF form by downloading their booklet on preparing for the Subject Tests. If you want a complete and official SAT Literature practice test, you will need to purchase The Official Study Guide for ALL SAT Subject Tests, 2nd Edition (about $19 on Amazon). This book offers sample questions with explanations and a complete practice test for every Subject Test. Other than this, official resources are limited. Practice questions in the Kaplan guide bear very little resemblance to actual questions, so I don't advise going there. While The Princeton Review guide questions are much better, they're still not official. How to Ace the Literature Subject Test: 6 Test-Taking Tips All of your general test-taking tips apply here: get a lot of sleep, bring a snack to the testing center, arrive early, and so on. There are also some best practices more specific to the SAT Subject Test in Literature, though. Read on for our top six tips. #1: Read the Passage Carefully This might seem obvious, but you'd be surprised how many students get tripped up on the SAT Lit test just because they didn't read the passage closely. You might find it helpful to mark the text by making notes or circling or underlining parts that stand out to you. Interacting with the text this way will help you to process it better. Some people like to read the questions before they read the passage so that they know what they are looking for. If you find this helpful, go ahead and do it! I personally find that it wastes time and distracts me from fully absorbing the passage, but your mileage might vary. Just remember that the time to experiment with your approach is not test day but while you're taking practice tests. Also, there's no law that you have to address all the passages in order. If you come upon one that just seems hard to process, it's fine to skip it and come back to it later. However, if you do this, be sure to line up your answers on the answer sheet correctly. You don't want to have to erase half a scantron because you didn't count right when you skipped a passage! #2: Think of the Answer Before Looking At the Choices When you read the question, you might find it helpful to think of what you think the answer should be before you look at the answers listed. At the very least, doing this should help you eliminate answers that are clearly wrong. #3: Read All the Answer Choices Carefully This tip probably sounds obvious, too, but, when you're pressed for time, it's tempting to just circle the first answer that looks like it could be right. Don't do this! Read all the answer choices before you choose the best one. #4: Look Back at the Passage When a question refers to a specific place in the passage, go back and look at it in context. Do not rely on your memory alone! Context is everything on this exam. #5: Don't Infer Don't make inferences that aren't supported by the text. It can be tempting to choose answers that the text doesn't explicitly disallow, but you need to choose the answer choice that is the most supported by what's actually written in the passage. #6: Don't Waste Time Since there is some time pressure on this exam, don't waste too much time on any one question. If you find yourself stumped, just skip the question and come back to it later. Odds are that it will be much clearer to you on a second pass. Time is of the essence! Wrap-Up: What to Know About SAT Literature This is all there is to the SAT Subject Test in Literature: you get one hour to answer 60 analytical questions on six to eight passages. Be prepared for a wide range of time periods and make sure you can confront prose, poetry, and the occasional dramatic work. Be certain that you're also ready to answer questions in any of the eight question categories: Reading comprehension Words/phrases in context Questions on the passage overall Literary devices Figurative language Narrator/speaker analysis Character analysis Dialogue analysis What can you do to prepare for the SAT Literature Subject Test? Read works from a variety of time periods, learn major literary terms, get comfortable analyzing prose and poetry, and take as many high-quality practice tests as possible! On test day, remember to read the passages carefully, skip any questions that stump you (and return to them later), and don't make any inferences beyond what's written in the text. With all this in mind, you'll be ready to ace SAT Literature in no time! Get inspired by this magical cat! Disappointed with your scores? Want to improve your SAT score by 160 points? We've written a guide about the top 5 strategies you must be using to have a shot at improving your score. Download it for free now: Raise Your SAT Score by 160 Points(Free Download) What's Next? Once you decide to take the SAT Literature test, you'll need to choose a test date. Read this guide to learn how to find the best test date for you. Taking the SAT Biology Subject Test, too? Check out our ultimate SAT Subject Test guide for SAT Biology to learn what kinds of content you'll need to know to ace the exam. Trying to figure out what's a good SAT Subject Test score? Let us break it down for you. Once you need to send your scores, see out step-by-step guide to sending SAT Subject Test scores. Taking the regular SAT or the ACT? See our expert guide to the best SAT/ACT prep methods. Need a little extra help prepping for your Subject Tests? We have the industry's leading SAT Subject Test prep programs (for all non-language Subject Tests). Built by Harvard grads and SAT Subject Test full or 99th %ile scorers, the program learns your strengths and weaknesses through advanced statistics, then customizes your prep program to you so that you get the most effective prep possible. Learn more about our Subject Test products below:

School safety laws Speech or Presentation Example | Topics and Well Written Essays - 750 words

School safety laws - Speech or Presentation Example The stake holders that involve even the government should create peace of mind and have control of school safety. Some of the legal issues touching on school safety include bullying in school, premises liability at school, first amendment concerns, students code of conduct and finally school related product safety. Bullying in schools Bullying is very dangerous as it deeply affect most of the students by either threatening their right to attend classes and undermines the overall learning goals of a learning setting. Unfortunately, bullying in most of the learning institutions are on the rise. The government has realized the need for school safety and has ended up passing numerous ant bullying laws especially in some states such as California, Arkansas states. The main aspiration of creating passing these laws are to ensure schools are safe for learning. The central government has established laws such as First Amendment which ensure provision of equal protection to the students. Pare nts are encouraged to sue school or school districts for inability to prevent bullying if their children fall victims of this torturing act. In case a student bullies other students thus violating the bullied conduct codes and other relevant laws then the students who bully are mostly suspended or expelled. It is therefore upon the school administration to put in force codes of conduct that characteristically describe the kind of behavior expected from the students (Find Law Web). Property accountability at school Regarding the theory of premises liability, the occupiers and owners of premises are under obligation by the law to ensure that their premises are safe for use. The persons protected by this law should be people who are legally present and the owners must exercise a reasonable amount of care in providing a safe environment on their property. Considering that the school deals mostly with children, an utmost amount of care is principal in ensuring the safety of the children. Victims of any of the injuries resulting from failure to ensure safety within the school or negligence by the school may sue the school or school district. The school should be able to control every situation affecting children such as sickness to ensure total safety of the children. The US Supreme Court afforded students First Amendment freedoms but held that some rights may be restricted in that the freedom should be applied in a manner that attempts to balance free speech rights as well as the necessity to grant safe learning conditions. Parents and their children should always ensure that they are aware of students’ codes of conduct and other discipline policies that outline a student’s rights and responsibilities. These codes of conduct must ensure that all the acceptable and unacceptable code of behavior is clearly outlined. Additionally, students normally use different items which may impose threat to them hence making it important to know whether the products pose any risks before they are used. The US Consumer Product safety Commission standards have provided the lists of items that can be used and therefore it is important to visit their website to verify the school related items (Find Law Web). Arming the educators and the school support staff is beyond the expertise, experience and professional capabilities of